Think the panto season is over? Think again! While most of us have packed away the Christmas decorations and returned to the daily grind, the world of pantomime is still alive and kicking—and in some places, it’s only just getting started. Yes, you read that right. Even as January’s chill sets in, theaters across the UK are keeping the festive spirit alive with shows that promise laughter, magic, and a much-needed escape from the post-holiday blues. But here’s where it gets interesting: does panto feel the same once the tinsel is gone, and could it serve a deeper purpose during the dreary days of January?
Take Nottingham Playhouse, for instance, where Sleeping Beauty is running until this weekend, just before the infamous 'Blue Monday'—supposedly the most depressing day of the year. John Elkington, who’s been Nottingham’s beloved dame for nearly three decades, believes January performances offer something special. ‘For audiences who’ve been cooped up at home, it’s a treat to look forward to,’ he says. ‘It’s like an extension of the festive fun—a reminder that there’s still joy to be had.’ But it’s no easy feat. With fewer shows (six a week instead of 12), the cast must work harder to keep the energy high. ‘Our job is to make sure the magic doesn’t fade,’ Elkington adds. And the effort pays off: Nottingham’s panto attracts around 40,000 visitors annually, with loyal fans returning even for the chaotic final night, where the crew plays tricks on the cast. Imagine a pillow fight erupting on stage—yes, it’s happened!
But here’s where it gets controversial: Is panto truly a Christmas tradition, or can it thrive in January? Liverpool’s Royal Court seems to think so. Their production of The Scouse Christmas Carol, originally slated to end this weekend, has been extended until January 24 due to popular demand. Executive producer Kevin Fearon explains, ‘For many, panto is about the lead-up to Christmas, but January shows are just as special. People who missed out in December are now getting their chance.’ And with dining options available, it’s not just a show—it’s a full night out. ‘It’s our perfect show of the year,’ Fearon says. ‘It captures everything the Royal Court stands for: great entertainment and a fantastic atmosphere.’
And this is the part most people miss: pantos aren’t always tied to Christmas. Brick Lane Music Hall in east London is flipping the script entirely, opening Jack and His Giant Stalk on January 22, running until March 7. Written and directed by Lucy Hayes, it’s a ‘pantomime for grownups’—think fun and silly, without the raunchiness of adult pantos. ‘Christmas is busy,’ Hayes explains. ‘People might have more time to enjoy panto afterward, and they could use a lift from the January blues.’ Her venue even serves food before the show, making it a full experience. But why January? ‘We’ve made our own tradition,’ she says with a laugh. ‘And let’s be honest, there’s less competition than in December.’
So, is panto a strictly festive affair, or does it have a place all year round? What do you think? Does a January panto feel the same as one in December, or does it offer something unique? Let us know in the comments—we’d love to hear your thoughts! Whether you’re catching Sleeping Beauty in Nottingham, The Scouse Christmas Carol in Liverpool, or Jack and His Giant Stalk in London, one thing’s for sure: panto season isn’t over yet—it’s just getting started.
